One Bright Pearl

Fortunately, the true potential of mythopoeism as well as the limitations of literalism continues to be disclosed and communicated at an exponential rate, thanks to ongoing efforts in the fields of psychology and comparative mythology, as well as related developments within the spheres to the biological and cognitive sciences, which continue to enjoy a great increase of interest.

Even in the absence of these advances, however, most of us can recognize a clarifying, enlightening capacity is intrinsic to metaphoric language if we simply devote a little time considering the plain facts. For

instance, when a friend informs us that sunrise was at 0615 we naturally grasp the truth of the expression, even though it is literally nonsense; we know the sun does not literally rise, yet we understand the truth of ‘sunrise.’ We constantly use similar literal fallacies, contradictions, and paradoxical expressions to accurately communicate in nearly every area of our everyday lives.

It is usually only when we try to verify or refute the products of abstract speculation – hence subtracted from their actual context – that we get entangled in arguments confined by the limitations of dictionary

definitions. The expressions of poetry, koans, and myth are informed by wisdom concerning the true nature of reality, thus by wisdom of the true potential of language.

The Zen master Shibi once said, ‘The whole universe is one bright pearl.’ According to dualistic or literal standards, Shibi’s assertion is unequivocally false, irrational, meaningless nonsense. In accordance with

Zen or nondual standards however, Shibi’s statement is not only true, rational, and infused with ultimate meaning, it is charged with liberating potential. The power of such a metaphor is often precisely due to its paradoxical quality – the fact that it is ‘literally false.’ For instance, upon hearing Shibi’s assertion the Zen practitioner immediately grasps the truth that the whole universe is and is not ‘one bright pearl.’ Nobody is foolish enough to think Shibi means the whole universe is literally one bright pearl, thus the actual truth (real knowledge) communicated by the expression must abide at a deeper level.

If we fail to grasp the truth communicated by the word ‘sunrise’ the failure does not rest with the word or the person that expresses it, but with our ability to discern its true meaning. The truth that ‘the whole universe is one bright pearl’ is not rendered false by our failure to grasp it – nor is it rendered true by subjecting it to a literal definition; its actual truth endures as it is, and only as it is – even if only one being understands it.

Some scholars, by attempting to subject the language of Zen to (dualistic) literal standards, have cited isolated passages from Shobogenzo in support of their claims that the work is ‘inconsistent.’ To charge Shobogenzo with inconsistency based on such standards is about as reasonable as charging our friend with lying for saying that sunrise occurred at 0615. We do not need linguistic expertise or a degree in postmodern philosophy to recognize that ‘sunrise’ is not its reality and still recognize the truth actually communicated. As Dogen says:

This ‘One Pearl’ is still not Its name, but It can be expressed so, and this has come to be regarded as Its name.

Shobogenzo, Ikka Myoju (Gudo Nishijima & Mike Cross)

 

Excerpt from,  Zen Cosmology: Dogen’s Contribution to the Search for a New Worldview pp.120-121

Buddha-Dharma: A Dream in a Dream

On the True Nature of the Self...

The final belief is to believe in a fiction, which you know to be a fiction, there being nothing else. The exquisite truth is to know that it is a fiction and that you believe in it willingly.

Wallace Stevens

The appearance of buddhas and ancestors in the world, being prior to the emergence of any incipient sign, has nothing to do with old, narrow opinions. This accounts for the virtues of buddha-ancestors, as of going beyond the Buddha. Unconcerned with time, the life-span [of buddha-ancestors] is neither prolonged nor momentary, as it is far from the comprehension of ordinary minds.

The ever turning wheel of the Dharma is also a principle prior to the emergence of any incipient sign; as such, it is an eternal paragon with immeasurably great merit. [Buddha-ancestors] expound this as a dream in a dream. Because they see verification within verification, it is known as expounding a dream in a dream.

The place where a dream is expounded in a dream is indeed the land and assembly of buddha-ancestors. The buddha-land and buddha-assembly, the ancestral way and ancestral seat, are all verification founded upon verification, hence all are the expounding of a dream in a dream. Upon encountering their utterances and discourses, do not think that these are not of the buddha-assembly; they are the Buddha’s turning the wheel of the Dharma. Because this wheel of the Dharma turns in all directions, the great oceans and Mt. Sumeru, the lands and buddhas are all realized. Such is expounding a dream in a dream, which is prior to all dreams.

The entire world, crystal-clear everywhere, is a dream; and a dream is all grasses [things] clear and bright. To doubt the dream state is itself to dream; all perplexity is a dream as well. At this very moment, [all are] grasses of the “dream state,” grasses “in” [a dream], grasses“expounding” [a dream], and so on. Even as we study this, the very roots and stalks, leaves and branches, flowers and fruits, lights and hues [of our perception] are all a great dream. Never mistake this, however, for a dreamy state.

Dogen, Shobogenzo, Muchu-setsumu (Expounding a dream in a dream), Trans. Hee-Jin Kim, Flowers of Emptiness, p.279-280

It’s a wonderful, wonderful opera. Only it hurts.

Joseph Campbell, The Power of Myth (with Bill Moyers)

Dogen here relates nyo (“like”), to ze (“this”), evoking the familiar Zen association nyoze (“like this,” “thusness”). He goes on to draw the implication that “like this” signifies not mere resemblance but the nondual identity of symbol and symbolized. He thus rejects any dualistic notion of metaphor or simile (hiyi), whereby an image points to, represents, or approximates something other than itself. Rather, for Dogen, the symbol itself is the very presence of total dynamism, i.e., it presents.

Hee-Jin Kim, Flowers of Emptiness, note 8, p.251

If the new empirical results are taken seriously, then people throughout our culture have to rethink some of their most cherished beliefs about what science and philosophy are and consider their values from a new perspective...

If conceptual metaphors are real, then all literalist and objective views of meaning and knowledge are false. We can no longer pretend to build an account of concepts and knowledge on objective, literal foundations. This constitutes a profound challenge to many of the traditional ways of thinking about what it means to be human, about how the mind works, and about our nature as social and cultural creatures.

George Lakoff and Mark Johnson, Metaphors We Live By, p.273

Allegory and metaphor both start off saying one thing as if it were another. But where allegorical method divides this double talk into two constituents – latent and manifest – and requires translation of manifest into latent, the metaphorical method keeps the two voices together, here the dream as it tells itself, ambiguously evocative and concretely precise at each and every instant. Metaphors are not subject to interpretive translation without breaking up their peculiar unity... Since symbols and metaphors cannot be translated, another method for understanding dreams is needed, a method in which masks, disguises, and doubleness inherently belong, a method that is itself metaphorical.

…if the dream is psychic nature per se, unconditioned, spontaneous, primary, and this psychic nature can show a dramatic structure, then the nature of the mind is poetic. To go to the root human ontology, its truth, essence, and nature, one must move in the fictional mode and use poetic tools.

James Hillman, Healing Fiction, pp35-36 [italics Hillman’s]

Peace,
Ted